The Cult To Hit Road For Blood and Deeper Cuts Tour

The Cult are a British rock band, formed in 1983. Cult gained a dedicated following in Britain in the mid 1980s as a post-punk band with singles such as "She Sells Sanctuary", before breaking mainstream in the United States in the late 1980s as a hard rock band with singles such as "Love Removal Machine". Since Cult's earliest form in Bradford during 1981, the Cult has had various line-ups, and the longest serving members are vocalist Ian Astbury and guitarist Billy Duffy, the band's two songwriters.

The Cult announced their tour for UK fans "New Blood and Deeper Cuts", a set list that will consist of the Cult's incredible new material such as 'Every Man and Woman Is A Star', 'Embers' and debuting previously unrecorded material, as well as tracks that have never/rarely been played.

The Cult's "New Blood and Deeper Cuts" Tour will start from January 18, 2011 at O2 Academy Leeds. The Cult will close their tour on January 30, 2011 at Manchester Academy.

Cult Tickets are available at Sold Out Ticket Market against nominal price. The Cult is all set to hit road to Play New Blood and Deeper Cuts Uk Concerts. Sold Out Ticket Market is ideal for The Cult Tickets at affordable rates. Check out the Ticket Market for Cult Tickets.

Cult Tickets - Blood and Deeper Cuts UK Tour - £125.00

Cult O2 Academy Leeds Tickets - Leeds - £125.00
Cult O2 Academy Bristol Tickets - Bristol - £125.00
Cult Hammersmith Apollo London Tickets - London - £125.00
Cult Cambridge Corn Exchange Tickets - Cambridge - £125.00
Cult O2 Academy Bournemouth Tickets - Bournemouth - £125.00
Cult Rock City Nottingham Tickets - Nottingham - £125.00
Cult Wolverhampton Civic Hall Tickets - Wolverhampton - £125.00
Cult O2 Academy Newcastle Tickets - Newcastle - £125.00
Cult O2 Academy Glasgow Tickets - Glasgow - £125.00
Cult Manchester Academy Tickets - Manchester - £125.00

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Cult - Music Videos

The Cult - She Sells Sanctuary


The Cult - Rain


The Cult - Love Removal Machine


The Cult - Fire Woman


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Cult - Image Gallery

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Cult - Discography

The discography of The Cult rock band: The Cult have released eight studio albums, two live albums, five compilation albums, several EPs, three box sets and twenty-seven official singles.

Studio Albums

• Dreamtime (1984)
• Love (1985)
• Electric (1987)
• Sonic Temple (1989)
• Ceremony (1991)
• The Cult (Black Sheep) (1994)
• Beyond Good and Evil (2001)
• Born into This (2007)

Live albums

• Dreamtime Live at the Lyceum (September 1984)
• Live At The Marquee (February 1993)

Compilation albums

• Death Cult (issued on CD in 1988, and remastered and reissued again with bonus tracks in 1996 with new title Ghost Dance)
• Pure Cult: For Rockers, Ravers, Lovers and Sinners (February 1993)
• High Octane Cult: Ultimate Collection, 1984-1995 (November 1996)
• Pure Cult: The Singles 1984 –1995 (June 2000)
• The Best of Rare Cult (November 2000)

Box sets

• Singles Collection: 1984-1990 (August 1991)
• Rare Cult (November 2000)
• Rare Cult: The Demos Sessions (July 2002)
• Love: The Omnibus Edition (October 2009)

Singles

• Fatman (as Southern Death Cult) (1982)
• Death Cult EP (as Death Cult) (1983)
• God's Zoo Death Cult) (1983)
• Spiritwalker (1984)
• Go West (Crazy Spinning Circles) (1984)
• Resurrection Joe (1984)
• She Sells Sanctuary (1985)
• Rain (1985)
• Revolution (1985)
• Love Removal Machine (1987)
• Lil' Devil (1987)
• Wild Flower (1987)
• Fire Woman (1989)
• Edie (Ciao Baby)(1989)
• Sun King(1989)
• Sweet Soul Sister (1990)
• Hearted Son (1991)
• Heart Of Soul (1992)
• The Witch" (1992)
• Sanctuary MCMXCIII (1993)
• Down (Drug Tongue) (1994)
• Star (1994)
• Painted On My Heart (2000)
• Rise (2001)
• Breathe (2001)
• True Believers (2002)
• Dirty Little Rockstar (2007)
• Illuminated (2008)
• Everyman and Woman is a Star (2010)

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Cult - Band Name "The Cult"

The Cult's first studio record, Dreamtime, was recorded at Rockfield Studios, in Monmouth, Wales in 1984. The record was originally to be produced by Joe Julian, but after having already recorded the drum tracks, the Cult decided to replace him with John Brand. The record was ultimately produced by Brand, but guitarist Duffy has said that the drum tracks used on the record were those produced by Julian, as Preston by that time had become too unreliable.

The Cult recorded the songs which later became known as "Butterflies", "(The) Gimmick", "A Flower in the Desert", "Horse Nation", "Spiritwalker", "Bad Medicine (Waltz)", "Dreamtime", "With Love" (later known as "Ship of Fools", and also "Sea and Sky"), "Bone Bag", "Too Young", "83rd Dream", and one untitled outtake. It is unknown what the outtake was, or whether it was developed into a song at a later date. Songs like "Horse Nation" showed Astbury's already intense interest in Native American issues, with the lyrics to "Horse Nation", "See them prancing, they come neighing, to a horse nation", taken almost verbatim from the book Bury My Heart at Wounded Knee, while "Spiritwalker" dealt with shamanism, and the record's title and title track are overtly influenced by Australian Aboriginal beliefs.

On 4 April 1984, The Cult released the single "Spiritwalker", which reached #1 on the independent charts in the UK, and acted as a teaser for their forthcoming album Dreamtime. This was followed that summer by a second single, "Go West (Crazy Spinning Circles)", before the release of Dreamtime in September; the album reached #21 in the UK, and sold over 100,000 copies in Britain alone. On 12 July 1984, the Cult performed five songs live in the BBC Maida Vale 5 studio. Both before and after the album's release, The Cult toured extensively throughout Europe and England before recording another single, "Resurrection Joe" (UK #74), released that December. Following a Christmas support slot with Big Country, The Cult toured Europe with support from The Mission (then called The Sisterhood). Dreamtime was released initially only in Britain, but after its success, and as The Cult's popularity grew worldwide, it was issued later in approximately 30 countries.

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Cult - Death Cult

In April 1983, Astbury teamed up with guitarist Billy Duffy and formed the band "Death Cult". Duffy had previously been in The Nosebleeds (along with Morrissey), Lonesome No More and then Theatre of Hate. In addition to Astbury and Duffy, the Death Cult also included Jamie Stewart (bass) and Raymond Taylor Smith (later known as Ray Mondo) (drums), both from the Harrow, London based post-punk band, Ritual. Death Cult made their live debut in Oslo, Norway in late June 1983 and released the Death Cult EP in July 1983, then toured throughout Europe. In September 1983, Mondo was deported to his home country of Sierra Leone and replaced by Nigel Preston, formerly of Theatre of Hate. The single "God's Zoo" was released in October 1983. Another European tour, with UK dates, followed later that autumn. To tone down the gothic connotations of Death Cult's name, and to gain broader appeal, the Death Cult changed its name to "The Cult" in January 1984 before appearing on the (UK) Channel 4 television show, The Tube.

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Cult - Southern Death Cult

The origins of the Cult can be traced back to 1981, in Bradford, Yorkshire, where vocalist and songwriter Ian Astbury formed a band called Southern Death Cult. The name was chosen with a double meaning, and was derived from the 14th century Native American religion, the Southeastern Ceremonial Complex or Southern Death Cult as it sometimes known, from the Mississippi delta area, but it was also a stab at what the Cult viewed was the centralization of power in Southern England (including that of the music industry); there has long been a perceived notion of a North-South divide based on social, historic and economic reasons. Astbury was joined in the band by Buzz Burrows (guitar), Barry Jepson (bass) and Aki Nawaz Qureshi (drums); they performed their first show at the Queen's Hall in their hometown of Bradford on 29 October 1981. The Cult were at the forefront of a new emerging style of music, in the form of post-punk and gothic rock (then known as positive-punk), Cult achieved critical acclaim from the press and music fans very early on.

The Southern Death Cult signed to independent record label Situation Two, an offshoot of Beggars Banquet Records, and released a three-track, triple A-side single, Moya, during this period. Southern Death Cult toured through England headlining some shows on their own and also touring with Bauhaus and Theatre of Hate. The Southern Death Cult played their final performance in Manchester during February 1983, meaning after only sixteen months the band was over. A compilation under the name The Southern Death Cult was released, this being a collection of the single, radio sessions with John Peel for Radio One and live performances - one of which was recorded by an audience member with a tape recorder.

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